She says, “I believe that artwork is not only about a beautiful shape and well-crafted materials, but about the spirit within the materials and within the artist. It begins with being in the woods to collect plant materials with reverence and reflection on the sacredness of nature. There is a seeking of balance between myself, the materials and the form they are creating. There is a sense that I am imbuing admiration, respect, and belonging into the solid form of the artwork. Each new work is an accumulation of my studies in sculpture, Great Lakes ethnobotany, observations in nature, and the internal journey into my spiritual beliefs and culture of the Ojibway people.
The success of the Porcupine Mountains Folk School depends heavily on the efforts and talents of our instructors and our volunteers. Please read about our talented group below. They are listed in alphabetical order.
Cherri Allen — Twining
Cherri has played with crafts all her life and twining is her passion now. She’s “twined” over 60 useable rugs, placemats, table runners, etc. and loves making something USEFUL and decorative at the same time. She loves to be outdoors and often twines outside. She’s loved the north for many years and finally could make THE MOVE to Copper Harbor in 2012 and “loves livin the life UP here in da UP”! In her spare time she works at The Pines Resort, Fort Wilkins Historic State Park, The Minnetonka Resort, Ragamuffins and Elizabeth’s on the Water, all in Copper Harbor. She loves pets and has two kitties.
Heidi Bukoski — Fiber Arts
Heidi Bukoski has been involved with fiber arts since childhood. She started knitting and sewing in grade school. In high school her mother taught her to weave. (She comes from a family of artists in various mediums.) In college she studied weaving and learned to spin yarn. She has taken numerous classes in spinning, weaving, and felting, both traditional wet and dry (needle felting), over the years.
In 1977 she taught her first class, which was in natural dyeing. Her teaching experience encompasses a wide range of skills and topics since that time. This includes lecturing and hands-on teaching at different guilds, Community Education classes, and currently as an instructor for the Michigan Fiber Festival. She has also done demonstrations for schools, libraries, and events. Her students have ranged in age from kindergarteners to retirees.
She has exhibited her work at art and county fairs throughout Lower Michigan. She has won State Show ribbons for both knitting and locker hooking. Her work was published in the book Approaching Design Through Nature.
Don Chastan — Woodworking
Don moved to the Ontonagon area with wife Susan, from Washington Island, Wisconsin in 2010. He served as maintenance assistant at Rock Island State Park in Wisconsin. Don began woodworking eight years ago, and has built benches for Rock Island State Park and to benefit a silent auction for the Barbara Kettle Gundlach Shelter. He enjoys collecting antique hand tools, and working with many different kinds of woods, including “exotic” wood such as zebrawood, and birdseye maple. He has done numerous home repairs and has made signs. He is also a Master Scuba Diver, and has been diving since 1970 in the Great Lakes, inland lakes, the Florida Keys, and in the Caribbean. He is a member of the Ontonagon County Search and Rescue team, as well as working on the Open Circle Simply Soup dinners. He is currently building a canoe.
Tracy Chipman — I am a Storyteller
A native of Wisconsin, I have been listening, wondering, gathering, spinning & telling tales around the US and beyond since 1995. My repertoire is a wild and wide open global collection of folklore, wonder-wisdom tales, myth, personal narrative and original material. Each tale, is given/told with the intention of celebrating our shared humanity.
I share the magic of storytelling in schools, libraries, cafes, at festivals, retirement communities, in living rooms (& house concerts), bookstores and in the deep woods around cozy fires. Everyone loves a good story well told!
I teach the power and value of storytelling with; college students, elementary students & students of life. My classes/workshops offer; insights and experience into the mechanics of storytelling, the value of active listening & imagining, the power of storytelling to effect change, how to tell a good story so people wants to listen, understanding creative & narrative flow, public speaking & performance skills. I have taught at schools from coast to coast and in the Midwest. Click here to read more….
Copper Country Chapter — Trout Unlimited
The Copper Country Chapter of Trout Unlimited was founded on April 9, 1998 and serves Michigan’s Western Upper Peninsula, including the counties of Houghton, Keweenaw, Ontonagon, Baraga, Iron, and Gogebic. The chapter’s service boundaries include the watersheds of the Ontonagon River to the west to the Huron River to the East, and to the Sturgeon River to the south.
The founding members of the Chapter are: Ray Weglarz, Jim Juntilla, Tom Suchenek, Bill Deephouse, John Parsons, Larry Kristapovich, Tim Schulz, Paul Sulisz, Doug Brumm, Steve Albee, Bill Lehtinen, and Jim Baker.
The purpose of the Chapter shall be to conserve, protect and restore cold-water fisheries and their watersheds in Michigan’s Western Upper Peninsula.
Beth Cox — Glass Working
My glassworking career began with a traditional stained glass class in Hayward, CA in 1978 at an Adult Education program. I continued to study various glass techniques including design, fusing, painting, casting/pate de vere, kiln construction and lampworking at the Fenton Glass Studio in Oakland, CA. I began blowing glass at San Francisco State University in the summer of 1981.
In 1996 I moved my studio from Alameda, CA to my family’s homestead in Perronville, MI. That year I began blowing glass and teaching glassworking classes full time with my partner, Chuck Pritchard of Kiel, WI. Together we worked as demonstrating artists for the Bristol Renaissance Fair and the Fort Lauderdale Renaissance Fair for 3 seasons. We also secured countless commissions and produced numerous award-winning glass pieces, with our paperweights being included in the permanent collection at the Bergstrom-Mahler Paperweight Museum, Neenah, WI. Our blown glass work is also part of the permanent collections at the Oshkosh Public Museum and Bay de Noc Community College.
Due to his death in 2009, I moved the glassblowing shop to the Historic Steam & Gas Village at the Escanaba State Fairgrounds where I give glass blowing demonstrations and teach workshops.
I’m also presently on the faculty of Bay de Noc Community College in Escanaba, MI teaching Moldmaking for Glass and continue to teach various glassworking classes all over the United States.
I also support myself doing stained glass restoration and new construction as well as creating new fused and cast glass pieces for sales in numerous galleries.
Tim Feathers — Photographer
Tim has been a K-12 Art Instructor for almost 30 years and has taught every level from Kindergarten to High School. Since taking up digital photography about 7 years ago he has done everything from nature photography to kids’ portraits and weddings- though he now concentrates on his fine art and nature work. He was a 2013 Artist-in-Residence at the Porcupine Mountains and his work has been displayed and awarded in the Center for Visual Arts Midwest Seasons show, the Northern National, and many others. He loves to combine his photography with his enjoyment of canoeing, camping, and hiking. His work can be seen at: http://www.feathersphotography.com/
Dar Fredrikson — Art Instructor
Most recently, sustainable living has motivated most of Dar Fredrikson’s creative process. She enjoys the self imposed challenge to find functional forms for both reusable and found natural materials. Some of the materials she has chosen to investigate and use are cedar shingles, woolen fabrics, birch bark, spruce trunks and roots, sweet grass, local clays, driftwood, cones, wintergreen plants, candle wax, grape vines and bear fat. She is a certified K-12 art teacher who is trained and experienced as a fine artist. Her past employment has served a variety of populations across Michigan and in Illinois. Dar holds a L.P.C. in Michigan. She took her M.Ed. in Art Education and Art Therapy from Wayne State University, Detroit. Her poetry, prose, and photographs have been published, and pen and ink illustrations copyrighted. Otherwise, many of her watercolor paintings and etchings are in private collections. With her husband Bob and English setter Gandhi, Dar enjoys summer and fall in Ontonagon County and winter near Detroit.
Ed Gray–Hand Forged Copper
Ed Gray, Jikiwe, is an Ojibway descendent who works in copper and clay. Fifteen years ago, Ed moved back to Calumet, MI, the hometown that his family left when the last copper mines closed in the 1960s. He founded the Ed Gray Studio/Gallery, in an historic building in downtown Calumet and invented a new way of life working to establish the gallery, giving demonstrations, teaching classes, a way of life centered in his art. Ed says, ” I find my art and the people around me a major part of my life. The heartbeat of our world and all that it encompasses, balanced with seriousness and laughter, brings my life to full circle.”
Tom Gustin — Native American Flutes
Tom Gustin is a man who has worn many hats. Tom was a Park Ranger for Portage County, Wisconsin, parks from 1971 until he retired in 2003. He was a substitute teacher for the Stevens Point and Rosholt, Wisconsin, junior and senior high school in science and wood shop. Tom has taught a Wellness class and Introduction to Judo for the University of Wisconsin, Stevens Point, for approximately 36 years and is a Seventh Degree Black Belt. He has been hand carving a style of Native Ameican fluts since 1985 and currently has almost 500 flutes completed. Tom’s flutes can be found in many different parts of the world. His interest in carving the flutes is born of a desire to keep a form of Native American art alive for all to appreciate, learn and enjoy.
Laura Hamlett — Stained Glass
I learned stained glass while in college to “de-stress” as well as make gifts. After obtaining my degree in education and liberal arts from the University of Michigan, I decided to start teaching stained glass 25 years ago to help foster appreciation of the art to all ages. Several hundred students later I still enjoy making and teaching stained glass, often getting new inspiration from students!
I was born and grew up downstate, but became a Yooper just a few years ago. I like to say that “I wasn’t born here, but I got here as quickly as I could!”
Sherry Havela — Needlework, Painting
I live in Bergland on Lake Gogebic with my husband of 48 years. We have two children and now have 6 grandchildren. I graduated from Gogebic Community College with a degree in accounting with a computer programming specialty. I went to work for the Forest Service in Ontonagon for approximately 16 years and then in Bessemer, MI until I retired in 2005.
Before going to college at the age of 43 I had been teaching needlework, crafts and landscape painting through the Intermediate School Offices. I taught at the Bergland and White Pine schools and also at the Ewen and Bruce Crossing Senior Centers.
Brenda Havens — Writing
I have a background of working several years in journalism, and several more years as a high school English teacher. I am currently teaching 11th grade honors English and 10th grade English. Any high school English teaching includes plenty of writing instruction.
I am a member of the National Writing Project, having completed graduate level classes in teaching of writing.
I have written and published three children’s picture books, and continue to write. My writing is enriched by regular involvement in two writers’ groups. I serve on the board of one of those groups, and was chair of The Write Stuff conference in Allentown in 2014.
I am a member of the Society of Children’s Book Writers and Illustrators.
When not teaching and writing, I spend time with my grandson, Noel, who appears in my first book. Spanky, my chihuahua, gets chunks of my time, as well as my husband, Al, friends, and family. These relationships enrich my writing life, as do reading, church activities, long walks and a bit of travel. In fact, though we live in New Jersey now, my husband and I return to Cabin 5 at Lake Shore Cabins just outside the Porkies whenever we can. It was our honeymoon cabin back in 1970.
Photo by Anne Gavitt
Poppy Hatinger — Basket Weaver
Since our family moved to the Upper Peninsula in the early 1980s, the study of basketry has become a great passion and outlet for creative energy for me. Because of my focus on traditional styles and materials, I began growing, gathering and harvesting natural basket weaving materials. In 1997, I planted a willow bed and have been harvesting both wild and cultivated willow for use in basketry and garden structures ever since. As a member of both the National Basketry Organization and the Michigan Association of Basketmakers, I have worked to promote both traditional and contemporary forms of basketry to just about anyone who will listen.
Judy Hiltunen — Painting for Adults and Children
I’ve always enjoyed the colors and shapes of Gods creation. I first expressed myself in gardening trying to create a palette of exciting colors and shapes. Then I discovered painting. I’ve been painting for about 12 years and have taken lessons from many different teachers in Michigan and Nevada both in oil and water-color. My husband and I travel alot and spend a few months every year in Nevada. I am a wife, mother, grandmother, great-grandmother and enjoy doing things with my family. I love to read,walk and cross country ski. I’m a retired real- estate agent.
Melissa Hronkin — Encaustics and Beeswax
Melissa Hronkin is an artist, teacher, and beekeeper. As an artist she works with beeswax and other found objects in the process of encaustic painting. Her most productive art-making time is winter. That is a time for repose and solitude when she turns inward. Melissa hopes that her work in encaustics and beeswax will bring awareness to the recent plight of the honeybee and its surrounding industry.
Melissa holds an MA in Art Education, MFA in Visual Studies, and BFA in Photography and Drawing. More can be found out by going to her blog: www.melissa-hronkin.blogspot.com.
Joy Ibsen — Writer
Since April 2006 Joy Ibsen has served as the editor of the only Grundtvigian Journal in the United States, “Church and Life.” N.F.S. Grundtvig is known as the founder of folk schools. As an independent scholar, Joy spent two months in Fall 2013 studying N.F.S. Grundtvig and visiting folk schools in Denmark.
Joy graduated from high school in Viborg, S.D., attended Grand View University in Des Moines, IA, graduated from Shimer College and did her graduate work at the University of Chicago Divinity School. She holds a certificate in lay ministry from the University of the South.
Her career is diverse and includes social work in Chicago’s ghetto, teaching GED preparation for Viet Nam soldiers at Fifth Army Headquarters in Chicago, and English and Theatre in an Episcopal boarding school, St. Catherine’s/St Mark’s, Bettendorf, IA; urban planning for a Great Society program (Model Cities); fund raising for three hospitals as well as various education and art organizations; management consulting; and private piano lessons.
A writer who lives in the north woods of Michigan, Joy has three published books: Here and Hereafter, the Eternity Connection; Songs of Denmark: Songs to live By and Unafraid, co-authored by her father, Herald Ibsen. She and her husband Don Lenef have 5 children between them and 5 grandchildren; they live in a cottage on Lake Superior near the Porcupine Mountains.
Jean-Andrew — Storyteller
Jean-Andrew tells stories by heart and presents lively storytelling programs that weave magic with words, images, and memorable characterizations. She engages audiences of every age, often with participation, and imaginatively invites them into the tales. Her wide repertoire of oral tales can be adapted to many settings, needs and age groups.
Ever a promoter of storytelling and encourager of budding tellers, she offers workshops and courses on various aspects of storytelling and is the co-founder of the Milwaukee Area Story Tellers guild (MAST) which meets monthly to exchange tales and practice the art of storytelling.
Jean-Andrew found her way into storytelling by way of a one week graduate course on the Art of Storytelling at Northern Michigan University – way back when. She joined the regional Northlands Storytelling Network, which was just beginning to produce an annual conference that now draws tellers from across the country; and served on its board for 14 years. She has also been an active member of the National Storytelling Association and was an Exchange Place teller at the National Festival in Jonesborough.
After teaching primary grades for 9 years in Bessemer, MI Jean-Andrew switched to being an elementary school librarian and launched a complimentary career in storytelling. She currently works at the Hmong American Peace Academy as a storyteller/literacy specialist and continues to freelance as a storyteller.
Sharing the legacy of live, oral storytelling is part of Jean-Andrew’s passion for the art. She has taught storytelling workshops, classes and graduate courses at several major institutions (including NMU). Besides an MA that focused on storytelling and children’s literature she studied for a semester in the International School of Storytelling at Emerson College in England.
“We need to rekindle our imaginations… our dreams… our stories”. – JA
I’ve been with the Forest Service for 21 years, but my square dance calling is not part of my Forest Service job. I am the Conservation Education Coordinator for the Ottawa National Forest. As far as getting started calling, I have to tell you my parents were members of a square dance club and I thought it was the silliest thing I ever saw. They dressed up in strange dresses and cowboy shirts even though we lived in Chicago. How embarrassing! On top of that, when I was in the 8th grade we had a squared dance and I was the worst dancer in the school. At least in my mind. So it would appear that I was not destined to be a caller. THEN, when I graduated from college at Murray State University with a in minor in recreation, I was offered a job at Cumberland Falls State Park in KY on the condition I would learn to call square dancing. I needed a job, so I said fine. I learned to call and discovered that I was no longer the uncoordinated 8th grader and that I actually enjoyed the dancing. It didn’t hurt that there were lots of girls at the dances and that they were impressed with a guy that could dance. The dancing was for park visitors who had never had lessons, but many families had been coming to the park for many years and knew the dances. We danced 7 nights a week at the park and usually had between 240 and 400 people at the dances. Later I decided to learn how to dance and call Western Style Square Dancing where they wear the funny costumes I found so disgusting when I was younger. I probably called and taught western style square dancing for about 15 years. In that style of dancing, the dancers learn movements or calls and the caller puts them together randomly with the dancers not knowing what the caller will say. That’s opposed to more traditional or old time dancing where the dancers learn an entire dance and know what will be called. Now I’ve returned to my roots of doing dances for families and groups.
Marilyn Knuteson — Master Gardener
Marilyn Knuteson retired from the State of Wisconsin in 2014 after 34 years of service. Marilyn has been a Wisconsin Master Gardener since 2010 and was a member of the Tomahawk, WI area gardeners. In 2015, Marilyn became a certified Tai Chi for Arthritis Instructor and a Matter of Balance Coach. She is a member of the Tai Chi for Health Institute, a member of the Friends of the Porkies, and a member of the Friends of the Porkies Folk School.
Vicki Kmiecik — Certified Ross Instructor
Vicki has been a certified Bob Ross instructor since July, 2007. “In 1983, I started watching Bob Ross on public television. Like thousands of others, I was mesmerized by his soft voice and easy style.” As Vicki raised three children, she considered teaching and began in 2007. She has been hosting studio and private painting parties since then. Vicki lives and works in the Peshtigo, WI area. You can access the Bob Ross method through her website,www.paintwithvicki.com. History of the Bob Ross style: Bob Ross was raised in Florida and began a military career, which sent him to Alaska. There, he first saw snow and mountains that later became some of the recurring themes in his artwork. He was the host of the PBS series THE JOY OF PAINTING, which aired from January 11, 1983 to May 17, 1994 and still appears in reruns. The series demonstrated oil painting using a “wet-on-wet” technique that minimized the color palette and reduced painting to simple steps anyone can follow.
Henry Kisor — Writing Workshop
Henry Kisor is a retired literary editor of the Chicago Sun-Times as well as the author of three nofiction books and four mystery novels. He has been a summer visitor to “The Porkies” since 1966. His wife, Debby Abbott Kisor, is a children’s book critic and author. Together they spend their summers in a cabin that Debby’s father built in 1947 on the shore of Lake Superior in Green, MI.
Jean Poythress Koon — Basket Weaver
Jean Poythress Koon has a Bachelor of Science Degree from the University of Tennessee and is a retired Culinary Arts teacher. She and her husband live in Morattico, Virginia, a small fishing village on the Chesapeake Bay. She is a member of the Tidewater Virginia Basketry Guild, the National Basketry Organization and the Columbia Basin Basketry Guild whose work has been featured in nationally and internationally juried exhibitions.
Jean says, “The inspiration for my art comes from how I feel about the marsh. The marsh provides protection for the land and our homes from mighty storms. It provides a habitat for billions of creatures and it sustains my soul with its ever changing beauty.”
Mollie Larsen — Hand Forged Copper, Beading and Fused Glass
Mollie has been involved in the arts most of her life. In past years, she taught a jewelry beading class and a woven amulet bag at the Bonifas Arts Center in Escanaba, Michigan. Her fused glass pieces are at the Lake Effect Gallery in Manistique MI. She is retired from the position of Director at the Bonifas Arts Center.
Donna Lenard — Watercolors
Jim Lohmann — Woodcarver
I have been a professional designer/woodcarver for 35 years with commissioned work all over the country including, The Tribune Tower in Chicago, Harvard University, Andover Academy, Noack Organ Company to name a few. Although I am a decorative woodcarver I really enjoy traditional and ethnic folk music. As a sideline I make rhythm bones just for the “fun of it” and started to provide kits and offer workshops to make the “Finnish Kantele” a couple of years ago.
Ruth Manning — Tapestry
Ruth Manning teaches and creates art at her studio in Madison, Wisconsin. She specializes in hand woven tapestry with a focus on portraits and personal narrative work. Ruth has exhibited and sold her work around the country and she believes that a little tapestry will enhance your life. Ruth’s work can be seen at www.ruthmanningtapestry.com.
Darlene Marczak — Vintage Silverware Windchimes
Sherrie McCabe — Glass Bead Making
Sherrie graduated from Northern Michigan University with a Bachelor of Science degree in Art Education with emphasis on sculpture and silversmithing. Hot glass became her passion about 25 years ago. After two trips to Venice, studying under America’s glass master Loren Stump, and retiring from teaching art in the public schools of Michigan’s Upper Peninsula, bead making became her focus. She is ever inspired by nature, the moods of Lake Superior and wild flowers found on the shoreline and uses those moods, colors and patterns in the creation of her glass beads. Her home, on the south shore of Lake Superior, has her small glass studio overlooking the beach and low dunes. Besides the several juried art shows that she exhibits at each year, Sherrie has taught bead making at the Clearing Folk School in Door County, Wisconsin and through her home studio as well as the Porcupine Mountains Folk School both in Ontonagon, Michigan.
Linda Montonati — Soap Making
Linda Montonati lives in Hurley with her husband, Pete. Last year Linda retired from Gogebic Community College where she managed the bookstore. Since retirement she has been reading labels and feels strongly about using products without propylene glycol and many other endocrine disruptors found in cosmetics and products we use everyday. She became motivated to research and prepare her own cosmetics that are carcinogen-free. She has been assisting others to become more aware of natural approaches to personal care.
Peter (Pekka) Olson — Wood Carving
A Tapiola, Michigan, resident, Peter is a member of the Copper Country Wood Carvers Association. He provides students the opportunity to learn the ancient Scandinavian technique of carving. While he is skilled in many types of carving, he usually teaches how to carve from cedar the Finnish evergreen tree and the fan bird.
Eric Pintar — Shaker Boxes and Canoe Paddles
Eric Pintar has been making boxes for fifteen years under John Wilson of the Home Shop, Charlotte, Michigan. Partner in the business for four years now, John and Eric continue the Home Shop’s mission to spread the word of this traditional craft and back that up with a full supplies catalog to support the craftsmen in the trade.
Dave Rasmussen — Woodworker
I was introduced to the art of woodworking by my 7th grade woodworking instructor in Chassel, MI and it soon became my passion. Inspired by making my first spice rack, I learned to make lamps, tables, a crossbow and a 16’ catamaran sailboat in high school. I then graduated from the University of WI – Stout and found excellent teaching opportunities in Michigan, Australia, Minnesota and Wisconsin. After teaching Woodworking/Technology Education/Building Construction for 36 years I retired to the U.P. My current passion is creating chevron cutting boards, Greenland paddles and sharing my love of making wood come alive.
Jenny Schu — Bead Arts
Jenny Schu, bead artist, received her undergraduate degree from the University of Michigan School of Art and Design in 2004 with a BA in Fine Arts. She has been a commissioned bead artist since 1999. She was an original artist at the Grove Gallery Co-Op in East Lansing, was selected as an artist in residence at the Friends of Porcupine Mountains resident artist program, and has lead beading workshops for various age groups.
Accolades and awards include winning Honorable Mention for Accessories in “Gypsy Leafe Bangle” in 2015; Complex Weave Award for “In Progress” at the Michigan League of Handweaver’s Conference 2015; Best of Show for “She Can’t See the Forest Though the Trees” in 2013 at the Michigan League of Handweaver’s Conference, and many other awards since 2010. Her work has been shown in Tennessee, Minnesota, Ohio, and Michigan at various professional conferences. Her work has been or is currently represented at Angelwood Gallery, Grand Rapids, OH; Synchronicity Gallery, Glen Arbor, MI; Lansing Art Gallery, Lansing, MI; Grove Gallery, East Lansing; and Ann Arbor Art Center .
Jenny lives in Lansing, Michigan.
A third-generation Finnish-American, Kay Seppala, a third generation Finnish-American, grew up in Ontonagon in the Upper Peninsula of Michigan and moved to St. Paul, Minnesota as a young adult. There she learned Finnish folk dancing, met her Finnish-American husband, and was introduced to the traditional Finnish folk instrument, the kantele, or lap harp. In the mid – 1980’s, “Mother Kantele,” Joyce Hakala, taught Kay and others how to play the five- and ten-string kanteles in order to form the Koivun Kaiku Kantele Ensemble. Kay performed with this group for 12 years, until she returned to the U.P. Through teaching Finnish folk dancing and kantele, Kay now shares the joy of her Finnish roots in the Copper Country. She now teaches the small kantele for the community enrichment classes at the Finnish American Heritage Center, Finlandia University. Kay has led kantele workshops at numerous events, including Heikinpäivä, the Upper Peninsula Folk Life Festival, and the Keweenaw Heritage Center in Calumet. Two years ago, Kay was one of the five folk artists teaching elementary students in the BHK Child Development after-school program, Generation to Generation, and each fall teaches kantele as an “artist in residence” at the Stanton Township Schools. Kay is also the director of the children’s Finnish American Folk Dance Group, the Kivajat Dancers, who perform throughout the western UP. In addition to the children’s group, Kay has taught several adult dance workshops and enjoys leading “family-fun” dance evenings. She recently started a kantele ensemble for 5 and 10/11 string kantele players, Ilon Kaiku.Through teaching Finnish folk dancing and kantele, spiced with story telling, Kay is sharing the joy of her Finnish-American roots. She is helping to preserve the Finnish folk culture and to propagate many grandchildren for “Mother Kantele!”
A third generation Finnish-American, Kay grew up in Ontonagon, and moved to St. Paul, MN as a young adult. There she began Finnish folk dancing, met her Finnish-American husband and learned to play the traditional 5 and 10 string kanteles.
Steve Stier–Timber Framing
Stephen “Steve” Stier is a native of Illinois who moved to Michigan in his youth and has since spent the majority of his life devoted to the building arts in the state. A longtime member of the Michigan Historic Preservation Network, Steve established the historic trades program at Randolph Career and Technical Center (Detroit) and developed the network’s window rehabilitation training series. As adjunct faculty with EMU’s Historic Preservation Program, Steve has been an instructor for over dozen field schools for hands-on preservation. He has also served as the preservation instructor on the restoration of the historic Goffar Barn in the Port Oneida Rural Historic District, Sleeping Bear Dunes National Lakeshore in Leelanau County.
Steve co-developed the Michigan Barn and Farmstead Survey that has engaged hundreds of individuals, including many 4-H youth, throughout the state in documenting this important and often endangered aspect of Michigan’s built landscape. To support this activity, in 2000 he and Vera Wiltse co-authored the Michigan Barn and Farmstead Survey Manual published by the MSU Museum. Steve was a founding board member and president of the Michigan Barn Preservation Network. Today, this network and the MSU Museum collaborate in advancing the survey project.
April Stone-Dahl — Basket Maker
April started her study in Black Ash (aagimaak) basketry in the spring of 1998 when she was introduced to the craft by her husband, Jarrod. After one full year of watching a basket changes and get used, she wove her first basket in the spring of 1999 and has been learning and weaving ever since. She is mostly self-taught, having learned the characteristics of black ash through the process of weaving, and has a preference for creating utility baskets. What she enjoys the most about teaching is what the student learn about themselves, and each other, and how they carry those lessons with them at the end of the day. April lives with her husband, Jarrod, and their four children on the Bad River reservation in northern Wisconsin.
Jarrod Stone-Dahl — Woodworker
Jarrod lives in northern Wisconsin with his wife, April, and their four children. He has been a professional woodworker since 1993, starting in carpentry then moving into log building and timber framing. He also served a loose apprenticeship in a wooden boat shop for two years and has been self-employed the majority of the time. Jarrod’s passion is pre-industrial woodworking techniques, such as splitting or riving wood with wedges and froe, then dressing with axe and knife; these techniques he applies to the snowshoes, toboggans, bowls, spoons, and more recently, a birch bark canoes. His favorite tools are a razor sharp axe and a crooked knife. He and his wife have been teaching basketry and woodworking since 2000.
Margery Summerfield — Writer/Author
I am a self taught author of 5 novels (2 published), a screenplay, and a former Northern California newspaper columnist. While I was part of a writing group for many years and have attended classes and studied on my own, I feel my lack of a formal education is an asset in providing a non-traditional learning experience to help writers bring their own life story into their work. Too much technical advice in the beginning of a piece can suck the life out of it!
Writing well is writing honestly. Knowing your Audience will inspire your true voice to come through. I have written under the name “Emma Mackin.” I believe that there is no such thing as a Flop Writer!
Karen Tembreull — Basket Weaver
Karen Tembreull has been making baskets since 1983 and teaching since the early 90’s. She weaves primarily with locally gathered materials. Her baskets have won many awards including Best Teacher’s Natural Piece at the 2011 Association of Michigan Basket Makers Convention and Best Professional Mixed Media Piece at the North Carolina Basket Makers Convention in 2010. Karen was inducted into the Michigan State University Heritage Program – Heritage Basket Collection Project which will permanently hold and show three of her baskets at their museum and loan them to other exhibitions. Karen also had baskets featured in the Lark book “500 Baskets” and in “Weaving History: a Basket Heritage Project”.
Jennifer Terpstra — Painter
Born in Ann Arbor, Michigan, Jennifer Williams Terpstra is a painter whose work is inspired by travel and by patterns in nature, cartography, and in the built environment. Conceptually, her paintings acknowledge the tradition of landscape painting while alluding both to paper maps and contemporary geolocational reality. Jennifer has been a faculty member at the University of Wisconsin-La Crosse since 1997, and has also served as an artist/teacher through the Vermont College of Fine Arts MFA program. Her work is included in public and private collections throughout the United States. A strong advocate for the arts, she has been an active member on arts boards at the state and local level. Educated at the Rhode Island School of Design (MFA, 1993) and Indiana University (BFA 1989), she has exhibited in one-person and group shows since 1989. Jennifer lives in La Crosse, Wisconsin, with husband Mark and son Nathanael.
Donna Thurston — Needle Felting
Donna was introduced to needle felting at a fiber workshop in Pickford MI and immediately saw the possibilities of incorporating the technique into her own artwork. Donna creates Kachina-inspired figures that are in private collections from Ohio to Colorado. She continued to explore needle felting as a stand-alone
art-form for creating broaches, flowers, wall-hangings and vessels. She leads workshops in needle felting for various arts groups throughout Michigan and taught in Berea Kentucky last summer.
Sarah Wagner — Knitting
I was born and grew up in south western Ohio. In college, I studied forestry and Soil Science with Bachelor of Science in both. I worked as a professional for the United States Department of Agriculture: Forest Service as a Forester and Soil Scientist for 30 years, stationed in West Virginia and Upper Peninsula of Michigan. I learned to knit around 1995, and my favorite things to knit are cables, mittens and socks both felted and regular.
Dawn Walden — Basket Weaver
Dawn Walden is an Ojibway descendant, a member of the Mackinac Band, who specializes in ethno botany of Northern Great Lakes Ojibway. She has been a member and/or instructor for 35 years for National Basketry Organization, Michigan Basket Makers Association, Ancient Arts Technology, Northwest Native American Basketry Association, Seattle Basketry Guild, and Oregon Basketry Guild. She has contributed to many books and has work represented in several museums and galleries. “The maker becomes infused with the materials, and then the materials make the basket.”
You can see Dawn’s work on her Facebook page at Dawn Nichols Walden (Dawn Nichols Walden Artist).
I approach woodwork from a traditional cabinetmaker point of view. Joints are tight and strong and at times the method of construction becomes a design element. My preference is to work with native species of wood and to finish with non-toxic material such as milk paint or polymerized linseed oil.
My work has seen a progression to more independent work as woodworker/artist. This progression is related to collaborative work with my partner, Pam Beal, and her movement from traditional quilting to an increasingly recognized art quilter. I have become intrigued with piecing and applique of wood fiber looking at it as a quilter would look at cloth fiber. Taking into account the movement of the wood fiber in design is the struggle.
A notion suggested to me by an artist friend/mentor moves me to consider Wabi-Sabi: the beauty of things imperfect, impermanent and incomplete; the beauty of things modest and humble; the beauty of things unconventional.
I reflect on materials I use:
Hand planed white pine floor boards from Pennala log home
Hollow logs diverted from use as culverts
Recovered 100 year submerged hemlock log from Flintsteel River
Apple wood from trees that have succumbed from too many years being climbed and broken by bear and raccoon
Roofing tin; ubiquitous in the U. P.
See my blog at: www.overthefencedesignsgallery.blogspot.com
Kathy Waid — Tie Dyeing
Zona Wick — Soap Making
Zona Wick is the director of the Iron County Health Department in Hurley. She is a farmer at heart and raised and butchered her own chickens for about 15 years. She has been making soap from pig lard obtained from a farmer friend in Saxon for many years. Zona has a Masters degree in natural health from Clayton College of Natural Health in Birmingham Alabama. She is interested in promoting healthy, nature-friendly answers to diet and health care.
John Zasada — Basket Weaver
John is a retired research forester/silviculturist. He became interested in tree bark during his 40 years in forestry, working in Alaska, Oregon, Wisconsin, and Minnesota. About 15 years ago, he developed his interest in Scandinavian style birch bark weaving. Since then, John has taken classes and has studied on his own to learn the weaving techniques, and he began teaching ten years ago. John has taught his techniques at the North House Folk School on Minnesota’s north shore, at the Alaska Folk School in Fairbanks, at Alaska Folks School in Talkeetna, at the Campbell Folk School in Brasstown, NC, and at community art centers in Minnesota and Canada.